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π™Ύπš—πšŽ πš•πšŽπšŠπš›πš—πšœ πšπš‘πšŠπš πš’πš πš’πšœ πš‹πšŽπšœπš 𝚝𝚘 πš›πšŽπš–πšŠπš’πš— 𝚊𝚜 πšœπš’πš•πšŽπš—πš 𝚊𝚜 πš™πš˜πšœπšœπš’πš‹πš•πšŽβ€”πšπš˜ πšŒπš˜πš—πšŒπšŽπšŠπš• πš˜πš—πšŽβ€™πšœ πšπš›πšžπšŽ πšπš‘πš˜πšžπšπš‘πšπšœ 𝚊𝚜 πšπš‘πš˜πšžπšπš‘ πšπš‘πšŽπš’ πš πšŽπš›πšŽ πš•πš’πšπšπš•πšŽ πšŒπš‘πš’πš•πšπš›πšŽπš— πšπš‘πšŠπš πš–πšžπšœπš πšœπšπš’πš•πš• πš‹πšŽ πš”πšŽπš™πš πšπš›πš˜πš– πšπš‘πšŽ πšœπšŽπš—πšœπšŽπš•πšŽπšœπšœ πšŒπš›πšžπšŽπš•πšπš’ πšŠπš—πš πš’πš—πšπšŽπšŒπš˜πš›πš˜πšžπšœ πš™πš›πš˜πš™πšŽπš—πšœπš’πšπš’πšŽπšœ 𝚘𝚏 πšπš‘πšŽ πš πš˜πš›πš•πš. π™Ύπš›, 𝚊𝚜 πš’πš πš’πš˜πšžπš› πš–πš’πš—πš 𝚠𝚊𝚜 𝚊 πšŒπš˜πšŒπš˜πš˜πš—, 𝚊 𝚜𝚘𝚏𝚝 πšŠπš—πš πš™πšŠπš•πšŽ πšŒπšŠπšœπšπš•πšŽ πš˜πšŸπšŽπš›πšœπšŽπšŽπš’πš—πš 𝚊 πš–πšžπš•πšπš’πš™πš•πš’πšŒπš’πšπš’ 𝚘𝚏 πš‹πšžπšπšπšŽπš›πšπš•πš’ πš•πšŠπš›πšŸπšŠπšŽ. π™΅πš˜πš•πš•πš˜πš πš’πš—πš πš–πšŽπšπšŠπš–πš˜πš›πš™πš‘πš˜πšœπšŽπšœ, πšπš‘πšŽ πšŒπšŠπšœπšπš•πšŽ πš‹πšŽπšŒπš˜πš–πšŽπšœ 𝚊 πšŒπš’πš›πšŒπšžπšœ, πšŽπšπšπšŽπš›πšŸπšŽπšœπšŒπšŽπš—πš πšŠπš—πš πšπš•πšžπšπšπšŽπš›πš’, πš πš’πšπš‘ 𝚊 πšπš›πšŠπšπš–πšŽπš—πš πšπšŽπšπš’πšŒπšŠπšπšŽπš 𝚝𝚘 πšπš‘πš˜πšœπšŽ πš πš‘πš˜πš– πš’πš— πšπš’πš–πšŽ πš πš’πš•πšβ€”πšŠ πš‹πšžπšπšπšŽπš›πšπš•πš’β€™πšœ πšŒπšŽπš–πšŽπšπšŽπš›πš’, πš‘πšŽπšŠπšπšœπšπš˜πš—πšŽπšœ 𝚘𝚏 πšπš•πš˜πš πšŽπš›πšœ.

π™Ύπš—πšŽ πš•πšŽπšŠπš›πš—πšœ πšπš‘πšŠπš 𝚝𝚘 πš‹πšŽ 𝚊 πš™πšžπš›πšŸπšŽπš’πš˜πš› 𝚘𝚏 𝚜𝚘𝚏𝚝-πšœπš™πš˜πš”πšŽπš— πšœπš˜πšžπš—πšπšœ πš’πšœ 𝚝𝚘 πš‹πšŽ πšœπšŽπš•πšπš˜πš– πš‘πšŽπšŠπš›πš, πšŠπš—πš πš™πšŽπš˜πš™πš•πšŽ πšŠπš›πšŽ πš˜πšπšπšŽπš— 𝚝𝚘𝚘 πš™πš›πšŽπš˜πšŒπšŒπšžπš™πš’πšŽπš πš πš’πšπš‘ πšπš‘πšŽπš’πš› πš˜πš πš— πš’πš—πšπš›πšŠπš™πšœπš’πšŒπš‘πš’πšŒ πšŒπš˜πš—πšπš•πš’πšŒπšπšœ πšŠπš—πš πšπš›πšŽπšŠπš–πšœ πšŠπš—πš πš—πš’πšπš‘πšπš–πšŠπš›πšŽπšœ 𝚝𝚘 πšπš›πšžπš•πš’ πš•πš’πšœπšπšŽπš—. π™΄πšπš˜-πšœπš’πš—πšπš˜πš—πš’πšŒ πš˜πš› 𝚎𝚐𝚘-πšπš’πšœπšπš˜πš—πš’πšŒ. πš†πš˜πš›πšπšœ πšŠπš›πšŽ πš’πš—πšœπšžπš‹πšœπšπšŠπš—πšπš’πšŠπš• πšŠπš—πš πš–πš˜πšœπšπš•πš’ πš’πš–πš–πšŠπšπšŽπš›πš’πšŠπš• πšŒπš›πšŽπšŠπšπšžπš›πšŽπšœ πšŠπš—πš’πš πšŠπš’. π™ΎπšπšπšŽπš—, 𝚊 πš™πš˜πš˜πš› πš–πšŽπšŠπš—πšœ 𝚝𝚘 πšœπšŽπšŽπš” πšœπš˜πš–πšŽ πšπš•πšŽπšŽπšπš’πš—πš πš’πš•πš•πšžπšœπš’πš˜πš— 𝚘𝚏 πšŠπš•πš•πš’πšŠπš—πšŒπšŽ. 𝚈𝚎𝚝, πšπš‘πšŽ πš‘πšŽπšŠπš›πš πšœπšžπš‹πšœπš’πšœπšπšœ πš˜πš— πšœπšžπšŒπš‘ πšπšŽπš•πšžπšœπš’πš˜πš—πšœ... π™Έπš πš’πšœ πšπš’πšπšπš’πšŒπšžπš•πš 𝚝𝚘 πš—πš˜πš, πš˜πš— πš˜πšŒπšŒπšŠπšœπš’πš˜πš—, πš›πšŽπšπšŠπš›πš πš˜πš—πšŽβ€™πšœ πš˜πš πš— πš™πšŠπšπš‘πšŽπšπš’πšŒ πš•πšŠπš›πš’πš—πš‘ πš πš’πšπš‘ πš•πš˜πšŠπšπš‘πš’πš—πš. πš†πš‘πšŠπš πš˜πšπš’πš˜πšžπšœ πš’πš—πšœπšŽπšŒπšžπš›πš’πšπš’, πš πš‘πšŠπš πš˜πšπš’πš˜πšžπšœ πšœπš‘πš’πš—πšŽπšœπšœ! π™±πšžπš 𝙸 πš‘πšŠπšŸπšŽ πšπš›πšžπš•πš’ πšπš˜πšžπš—πš 𝚊 πšœπš˜πš›πš 𝚘𝚏 πšŒπš˜πš—πšπš’πšπšŽπš—πšŒπšŽ πš’πš— πš”πšŽπšŽπš™πš’πš—πš πš–πš’ πš˜πš πš— πšŒπš˜πšžπš—πšŒπš’πš•. πš‚πšžπšŒπš‘ πš›πšŽπšŠπšœπš˜πš—πš’πš—πš πš’πš—πšπš˜πš›πš–πšœ πš–πšŽ πšπš‘πšŠπš πšŒπš˜πš—πšœπšŽπššπšžπšŽπš—πšπš•πš’ πš’πš πš’πšœ πšŠπšœπšœπšžπš›πšŽπš πšπš‘πšŠπš πš–πš’ πš πš˜πš›πšπšœ πš πš’πš•πš• πš—πš˜πš πš‹πšŽ πšžπš—πšπšžπš•πš’ πšŒπš˜πš—πšπšŽπš–πš—πšŽπš πšŠπš—πš πš™πš•πšŠπšŒπšŽπš πšœπš˜πš–πšŽπš πš‘πšŽπš›πšŽ πšžπš™πš˜πš— 𝚊 πšœπš™πšŽπšŒπšπš›πšžπš– 𝚘𝚏 πšžπš—πš’πš—πšπšŽπš›πšŽπšœπšπš’πš—πš πš˜πš› πšžπš—πšπšŽπš›πšœπšŽπš›πšŸπš’πš—πš 𝚘𝚏 πšŠπšŒπš”πš—πš˜πš πš•πšŽπšπšπš–πšŽπš—πš; πšπš‘πšŽπš’ πš πš’πš•πš• πš—πš˜πš πš‹πšŽ πšπš›πšŽπšŠπšπšŽπš πš•πš’πš”πšŽ πš‹πš˜πšπš‘πšŽπš›πšœπš˜πš–πšŽ πšŒπš‘πš’πš•πšπš›πšŽπš—. π™Όπš’ πšœπšŽπš—πšœπšŽ 𝚘𝚏 πš’πš—πšπšŽπš›πš’πš˜πš›πš’πšπš’, πšπš‘πšŽπš›πšŽπšπš˜πš›πšŽ, πš’πšœ πš—πš˜πš πšŽπš‘πš™πš˜πšœπšŽπš 𝚝𝚘 πšπš‘πšŽ πš™πš˜πšœπšœπš’πš‹πš’πš•πš’πšπš’ 𝚘𝚏 πš‹πšŽπš’πš—πš πšπšŽπšŽπš™πšŽπš—πšŽπš πš‹πš’ πšžπš—πš‘πšŽπšŠπš›πš’πš—πš πš˜πš› πš™πš›πš˜πšŸπš˜πš”πšŽπš πš‹πš’ πšœπš˜πš–πšŽ πšŽπš—πš’πšπš–πšŠπšπš’πšŒπšŠπš• πš˜πš› πš”πš—πš˜πš πš— πš™πš›πšŽπš˜πšŒπšŒπšžπš™πšŠπšπš’πš˜πš—.

𝙸 πšπšŽπš›πš’πšŸπšŽ, πšŠπš—πš πš™πšŽπš›πš‘πšŠπš™πšœ πš’πš πš’πšœ πšπšŽπš™πš•πš˜πš›πšŠπš‹πš•πšŽ, πšŒπš˜πš–πšπš˜πš›πš πšπš›πš˜πš– πšπš‘πšŽ πš”πš—πš˜πš πš•πšŽπšπšπšŽ πšπš‘πšŠπš πšπš‘πšŽ πšŒπš˜πš—πšŒπšŽπšŠπš•πš–πšŽπš—πš 𝚘𝚏 πš–πš’ πš πš˜πš›πšπšœ πš πš’πš•πš• πš”πšŽπšŽπš™ πš–πš’ πš‘πšŽπšŠπš›πš 𝚜𝚊𝚏𝚎 πšŠπš—πš πšžπš—πš‘πšŠπš›πš–πšŽπš. π™Όπš’ πš‘πšŽπšŠπš›πš πš πš’πš•πš• πš—πš˜πš πšŠπšŒπš‘πšŽ πš πš’πšπš‘ πšŠπš—πš’ πš™πšŠπš—πšπšœ 𝚘𝚏 πš—πšŽπšπš•πšŽπšŒπš, πšœπš˜πš–πšŽ πšœπšŽπš—πšœπšŽ 𝚘𝚏 πš‹πšŽπš’πš—πš πšœπšžπš‹πšœπšπšŠπš—πšπš’πšŠπš•πš•πš’ πš•πšŽπšœπšœ πš πš˜πš›πšπš‘πš’ 𝚘𝚏 πš’πš˜πšžπš› πšŠπšπšπšŽπš—πšπš’πš˜πš— πšπš‘πšŠπš— πšπš‘πšŽ πšŒπšŠπšŒπš˜πš™πš‘πš˜πš—πš’ 𝚘𝚏 πš’πš˜πšžπš› πš˜πš πš— πš πš˜πš›πš•πš. π™°πš—πš, πšπš‘πšŽπš—, 𝙸 πšŒπšŠπš— πš–πšŠπš’πš—πšπšŠπš’πš— πšœπš˜πš–πšŽ πšπšŽπšŽπš•πš’πš—πš 𝚘𝚏 πš‹πšŽπš’πš—πš πš•πš˜πšŸπšŽπš πšŠπš—πš πšŠπšπš˜πš›πšŽπš. π™Ύπšπš‘πšŽπš›πš πš’πšœπšŽ, 𝙸 πš πš’πš•πš, πšŠπš—πš 𝙸 πš•πš˜πš—πšβ€¦ π™»πš˜πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 πš™πšŠπš›πš 𝚘𝚏 𝚊 πš‹πšžπšπšπšŽπš›πšπš•πš’ πšŒπšŽπš–πšŽπšπšŽπš›πš’. π™Όπš’ πš‘πšŽπšŠπšπšœπšπš˜πš—πšŽ πš–πšŠπšπšŽ πšžπš™ 𝚘𝚏 πš•πš’πšŸπš’πš—πš πš›πš˜πšœπšŽπšœ πšŠπš—πš πš‹πšŠπš‹πš’β€™πšœ πš‹πš›πšŽπšŠπšπš‘ πšŠπš—πš πšŸπšŽπš›πšπšžπš›πš˜πšžπšœ πšŸπš’πš—πšŽ. π™Όπš’ πš–πš’πš—πš πšŠπš—πš πš‘πšŽπšŠπš›πš πš—πš˜ πš•πš˜πš—πšπšŽπš› πšπš˜πš›πš–πšŽπš—πšπšŽπš πš‹πš’ πšπšŽπšŽπš•πš’πš—πš 𝚜𝚘 πšžπš—πš πš˜πš›πšπš‘πš’ πšπš›πš˜πš– πš–πš’ πšŠπšœπšœπšžπš–πš™πšπš’πš˜πš—πšœ πšŠπš‹πš˜πšžπš πšπš‘πšŽ πšπš›πšžπš•πš’ πšπš›πš’πšŸπš’πšŠπš• πšŽπš‘πš‘πš’πš‹πš’πšπš’πš˜πš—πšœ πšŠπš›πš’πšœπš’πš—πš πšπš›πš˜πš– πš˜πšπš‘πšŽπš›πšœβ€¦ πš†πš‘πšŠπš πšπš•πš˜πš›πš’πš˜πšžπšœ πš™πšŽπšŠπšŒπšŽ.

I.

Apr. 12th, 2020 10:50 am
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I'm currently reading the unabridged journals of Sylvia Plath... I find myself overwhelmed by a beauteous resonance. An understanding that is too often an elusive entity… And here is it, unbeknownst of time and existence, sending its lovely tendrils of language to me, now breathing and creating and despairing in the 21st century. Feeling, as undoubtably numerous other beings before me have and as numerous beings after me will, as though I have, at last, unearthed a kindred spirit, someone who understands the lunar phases of my hitherto seemingly indecipherable mind and heart (to others, I should add). Another strange girl who has found a strange solace in the words of Plath.

I am nothing special. Sylvia felt the same. A multiplicity of beings will foster this beautiful form of scribal recognition in their own hearts, now and for a millennia from now. Unspecial beings. How interesting that we can be both special and unspecial. Every soul resembles some sort of flower. Certain ones will blossom in similar ways and yet retain a uniqueness and a specialness, simply for existing when we do, cottages containing a menagerie of their own curious concoction of epigenetics and twisting neural paths. This analogy makes me envision witches, churning the contents of their cauldrons, bellies of midnight, with giant wooden spoons. The hand of existence resembles those witches, churning, churning, churning, transforming each of us into a curious creation, made up of a coincidental fusion of tangible and incorporeal things, of stardust remnants and ancestral flesh. I truly love that Sylvia is so fond of incorporating such a multidisciplinary perspective on existence into her prose. Such things are close to my heart. Naturally, as I pursue a degree in psychology…

I have so missed writing. Virtual expressions are not nearly the same as applying the black stem of a pen to paper, but it will do in the interim… So, here I am, contributing my soft and inconsequential murmurings to the virtual void, to be read by no one.

Sincerely,
S.

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Svenja Svanhild

April 2020

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